There are several movies on this list that I’d like to see. I love a good new comedy, and two of the movies I’m probably most looking forward to are Super Troopers and Focker-in-Law. Of course, those are sequels to movies we already know and love, which is great—but I’d also like to see Hollywood take a chance on something new.
Give me a new comedy actor. Somebody who can actually make us laugh and act.
It seems like movie studios are afraid to take a chance on anybody they haven’t already proven can put butts in seats. The newest comedian I’ve noticed in these trailers is Nate Bargatze. I think he’s funny, although his humor is probably a little too dry for me. As far as his acting goes, I haven’t seen one of his movies yet, so I’ll have to wait and see.
But why not give somebody new a shot?
Take a cast member from Saturday Night Live. Find somebody from the comedy circuit who has been killing it in comedy clubs for years. Give them a decent script, a good supporting cast, and let’s see what happens.
Instead, it seems like everybody in these movie trailers is over 45. I’m starting to think the movie studios have a spreadsheet somewhere that says, “Does this person have a proven box-office record?” If the answer is no, they apparently move on to the next person.
And I understand why. Making movies costs a fortune, and nobody wants to lose $100 million betting on a comedian nobody has heard of.
But I think we’re missing out on some great comedies because of it.
When I was growing up, going to the movies was a completely different experience. If you didn’t see a movie at the theater, there was a pretty good chance you weren’t going to see it. You had to wait for it to show up on television, and even then, you had to be home when it came on. There was no “I’ll watch it whenever I feel like it.”
Now everything is on demand. Netflix, streaming services, YouTube—you can watch practically anything whenever you want.
Maybe that’s part of the reason we keep getting recycled comedies and sequel after sequel. Studios know what worked before, so they keep going back to the same well. It makes financial sense.
But sometimes you have to take a chance.
Because somewhere out there is a comedian who could make an absolutely hilarious movie if somebody would just give them the opportunity.
And honestly, there’s still nothing quite like going to a movie theater with your feet sticking to the floor, a bucket of overpriced popcorn in your lap, and a good friend—or your girl—sitting next to you, laughing at a great comedy.
That’s the kind of movie experience I miss.
So Hollywood, how about taking a chance on somebody new?
Worst case scenario, we get a bad movie.
Best case scenario, we discover the next great comedy star.
And at least give us something besides Fast & Furious 47.
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